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DESCRIPTION OF BUSINESS COLORADO ALABASTER SUPPLY <br />- SCULPTURE STONE SUPPLIER - <br />page 1 <br />The alabaster that we quarry is used by professional sculptors as well as <br />students in Universities and schools across the United States and Canada. <br />We use a front end loader to bulldoze the stone out of the quarry. We <br />do not blast out the stone because that would ruin the stone for sculpting purposes. <br />The stone is loaded onto dump trucks by the loader and hauled down to our rock sheds. <br />We usually quarry 2-4 days, in which we haul down an entire years supply, after which <br />we cover aver the exposed alabaster to protect it from the weather. The alabaster is <br />stored in sheds to protect it also. Alabaster cannot be used for outdoor purposes <br />because it weathers away. Any alabaster left out in the weather is also unusable for <br />sculpture because of the cracking and chalking of the stone. <br />The pieces of alabaster brought down from the quarry can range in weight up <br />to several tons. The alabaster also varies in color. We have what is called a salmon- <br />ledge which consists of the "Pink" alabaster that Colorado is known far, into a white. <br />The salmon pink is very translucent and the white is more opaque and milky in color. <br />We also have a gray which is also rather opaque in color. All colors have varying <br />degrees of veining and coloration. <br />To prepare the stone for shipment to the buyers, we must eliminate all <br />natural faults from each stone that would hamper the artist in his/her working of the <br />stone. This is accomplished by first chiseling off the mud and hard clay from the <br />surface of each boulder. Natural fault lines are then located and split open by use <br />of sledge haic¢ner and wedges. The larger pieces too heavy to move with our equipment <br />are sawn into large slabs, which are again ermined for flaws and broken down along any <br />natural fault lines. From this point the process continues in this manner until good <br />solid, sculptural pieces remain. To be considered sculptural quality, pieces must be <br />free of soft or loose areas of the stone, cracks, mud, or other inconsistancies such <br />as selanite crystal formations. A "good, sculptural piece of alabaster will ring <br />when struck with a hananer. Long or flat pieces will ring with a loud bell-like sound, <br />whereas the small, bulky pieces have a quiet, high pitched ring. Pieces in sizes and <br />shakoes between these extremes have varying sounds when struck. Flaws deaden the sound <br />and must be eliminated. Thus flaws are located not only thru visual but audio indica- <br />tions as well. Each piece of stone we ship passes these tests for quality. In recent <br />years we have hauled in 15-18 truckloads of raw stone and have hauled away 6-8 truck- <br />loads of unusable scrap. The stone is worked down with air-hammers and small hatchets. <br />