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<br />Chapter II <br />National Endowment for the <br />Arts Grant <br /> <br />Duane Holmes <br />National Park Service <br />Rocky Mountain Regional Office <br />Denver, CO <br /> <br />In 1987, the Grand Junction Planning Department and <br />Downtown Development Authority received a National <br />Endowment for the Art~ (NEA) Design Advancement Grant. <br />The grant helped fund a resource team to cOfi'iider design alter- <br />natives for the urbanized Colorado Riverfront in Grand Junc- <br />tion. The team was guided by the following local and national <br />objectives: <br /> <br />National Objective: Demonstrate the value of a multi- <br />disciplinary approach to riverfront design/redevelopment, and <br />disseminate the findings of the approach. <br /> <br />local Objective: Create a multi-disciplinary development plan <br />and design strategy for the Colorado River Confluence Park <br />Redevelopment Project. <br /> <br />The NEA Design Arts grant a'isisted the City in creating <br />an exemplary design plan reflecting the diversity of the com- <br />munity and other river users. The design integrates natural <br />and ecological concerns with demand'i for "people places" and <br />aesthetic beauty for the Colorado River's only urban <br />waterfront park. <br />The grant brought together leading design and development <br />experts representing a wide variety of backgrounds to analyze <br />opportunities and constraints for the Grand Junction River- <br />front. The final report suggests design alternatives as well as <br />an implementation strategy. The design team addressed not <br />only the riverfront, but also the major corridors linking the <br />riverfront to downtown. <br />Ronald Lee Heming of the Townscape Institute offered his <br />expertise in public art for the design of public space. Bob <br />Seams and Wendy Booth of Urban Edges contributed their <br />expertise in parks and recreation development along water- <br />fronts. Grant Jones of Jones & Jones Architects and Land- <br />scape Architects teamed up with Urban Edges in recreation <br />design, with special consideration given to the natural river <br />environment. Ann Breen and Dick Rigby from the Water- <br />front Center focused on private redevelopment aspects of the <br />project and an implementation strategy. Duane Holmes from <br />the National Park Services River and Trail Conservation <br />Assistance Program served as facilitator for the group. The <br /> <br />team was also assisted by three landscape architect interns: <br />Sheldon Emery, Terence Hoaglund and David Sarkowitz. <br />The group was given background materials prior to visiting <br />the site on June 14-16, 1988, These materials included a project <br />overview, property owner surveys, maps and airphotos. Upon <br />their arrival, team members were given a ground tour to <br />familiarize themselves with the opportunities and constraints <br />presented by current physical conditions of the area. A <br />helicopter tour, provided by U.S. West, gave the team a chance <br />to view the project area as it relates to the residential and <br />business areas and surrounding physical environment. <br />A reception was held during the first evening of their visit <br />enabling the community to meet the team members and share <br />ideas. The following day, the team was split into four <br />subgroups, each attending prearranged interviews with <br />members of the community. <br />Representatives from the Waterfront Center met with several <br />riverfront landowners as well as members of the Riverfront <br />Commission, Chamber of Commerce, Department of Energy, <br />and the Downtown Development Authority. Discussions <br />focused on the private redevelopment aspects of the project. <br />Ronald Heming had the opportunity to visit the local <br />museum guided by a well known local historian. Other <br /> <br />NEA Team on Confluence Point <br /> <br /> <br /> <br />7 <br />