Laserfiche WebLink
<br />Aspen HighJand.J Ski Area - Draft EnvironmenJaJ Impact S/alemenJ <br />site are located to the east of the present Aspen Highlands SUP area, but Class I cultural resource inventories <br />conducted between 1974 and 1987 revealed no cultural sites within the Aspen Highlands SUP area. <br /> <br />ENVIRONMENTAL CONSEQUENCES <br />Since no registered cultural resources were discovered within the existing Aspen Highlands Ski Area, no impacts <br />on such resources would occur under the No Action Alternative. No cultural resources were discovered on the <br />terrain targeted for development under alternatives B or C. Concurrence of this rmding by a Native American <br />Consultant of the Southern Ute tribe led to cultural resource clearance of Aspen Highlands Ski Area for <br />development. <br /> <br />POTENTIAL MITIGATION MEASURES <br />Since no cultural resources were identified in the SUP area, no mitigation measures are proposed. Should cultural <br />resources be discovered during construction. all activities at the site would immediately cease so that appropriate <br />measures could be taken to evaluate and protect the site. <br /> <br />SCENIC RESOURCES <br /> <br />AFFECTED ENVIRONMENT <br />Ten views were analyzed for disclosure of existing views and viewsheds within the analysis area. The two <br />primary areas of concern, from the Aspen Mountain sundeck and from SH 82, included terrain modeling and <br />visual simulation. These views were studied in detail because of the large number of people viewing them, and <br />because the majority of the proposed developments would be visible from them. <br /> <br />The Aspen Mountain sundeck overlooks the eastern flank of Aspen Highlands from a distance of about 2.9 miles. <br />This viewsbed has a high level of sensitivity because it is highly visible from the restaurant and swnmer <br />amphitheater on Aspen Mountain. It includes Highland Bowl ridgeline, Temerity, Steeplechase, and the Grand <br />Traverse Catwalk. Highland Bowl and Highland Peak are unforested and do not currently show evidence of <br />development. Temerity and Steeplechase areas south of the Grand Traverse Catwalk are densely forested areas <br />with few openings except those created by avalanches and relatively linear drainage patterns. The Grand Traverse <br />Catwalk. which traverses several contours along Aspen Highlands' east facing slopes, is the most obtrusive <br />elemcot because it cuts directly across the predominantly vertical avalanche chutes and drainages. The catwalk <br />does not currently meet the Forest Service visual quality objective (vQO) of modification. Due to distance, skilift <br />facilities are not readily apparent from this vantage point. <br /> <br />The second key viewpoint, located about 1.3 miles to the north of Aspen Highlands, faces south from the east <br />end of the Maroon Creek bridge on the north side of SH 82. This viewshed is sensitive because the lower and <br />middle slopes of Aspen Highlands are clearly visible to people traveling along Highway 82, the major <br />transportation route into and out of Aspen. The Aspen Highlands north face is prontinent from this viewpoint <br />and ski runs and lift corridors are highly visible. The clearcut, linear-edged appearance of the lift corridors, many <br />of the ski runs, and standing islands of vegetation is not in compliance with the Forest Service VQO of <br />modification. This is due to the existing ski area developments occurring prior to completion of the 1984 Forest <br />Plan Standards and Guidelines. <br /> <br />ENVIRONMENTAL CONSEQUENCES <br />VQOs of modification in the Forest Plan are a function of visual sensitivity, number of viewers, and distance from <br />viewpoint. The greatest visible impact for any developments on Aspen Highlands are the Sundeck Restaurant at <br />Aspen Mountain and the Maroon Creek Bridge on SH 82. Under the No Action Alternative. completion of <br />approved improvemcots would not significantly change the visual quality from these two viewpoints since they <br /> <br />34 <br /> <br />See/ion III <br />Scenic Resources <br />