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<br /> <br /> <br /> <br />Sell/emher fI, /87', mornillg <br /> <br />FOURTH SEGMENT <br /> <br />Labyrinth Canyon <br />Camera Station 727 <br /> <br />\Ve arc here on a rid~e in the center <br />of Trin-Alcove Bend, lookin~ sli~htly <br />south of west toward the outside of the <br />bend, The Trin-Alcove can be seen just <br />left of the center of the pictures, The <br />location of Beaman's camera statiou <br />was based on the rounded bench of <br />Navajo Sandstone in the fore~round, <br />The shrub on the rig;ht is still alive, but <br />the split boulder behind it is gone, and <br />no obvious remains of it were {()Und <br />downslope, <br />In the middle distance is a wind- <br />eroded, sand-lilled hollow in which we <br />(illllld several arrowheads and <Tude <br />hand tools that may represent more <br />than one culture, On the sandstone <br />bench, we also filllTld pieces of wood <br />that may have been brou~ht in by earlv <br />Indians, <br />Most of the rocks in the lielel ofvie\v, <br />includin~ those of the far canyon walls, <br />arc Navajo Sandstone, The Carmel <br />Formation 1(>rIllS a dark strip along the <br />skyline on the right side of the pictures, <br />and the Entrada Sandstone forms the <br />dark, low buttes on the skylinc ill the <br />center, about two-and-a-halfmilcs dis- <br />tallt. The dark cap on the ridge point <br />JUS! iu Ii-OIl! or ns is Plcis!(HTlle t<Trace <br />gravel 1110lT than ~B() ((-ct above (he <br />river. <br />